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MessagePosté le: Dim 2 Juil - 06:16 (2017)    Sujet du message: The Material Used In Musical Composition A System Of Harm Répondre en citant


The Material Used in Musical Composition: A System of Harmony Designed Originally for Use in the English Harmony Classes of the Conservatory of Music at Stuttgart (Classic Reprint)
by Percy Goetschius



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Excerpt from The Material Used in Musical Composition: A System of Harmony Designed Originally for Use in the English Harmony Classes of the Conservatory of Music at Stuttgart <p/>Tm: first draft of this book was made in 1879, while the author was teaching, and still studying, at the Conservatory of Music in Stuttgart, Germany. It was many times rewritten before being first issued in 1882, in Stuttgart. In this original form it was used until 1889, when, in completely re modeled form, it was published by Mr. Schirmer in America. In 1895 it was again partially revised. For the present edition it has been again thoroughly revised, rearranged and te-written. <p/>The object of this latest revision was, to record the experience gathered during the past twenty years of uninterrupted teaching; to correct prolix and clumsy diction; to increase the exercise-material, especially in melody harmonization; and to introduce and systematize, as far as possible, the novel experiments and achievements of modern harmonic thought. Also, to present the book, as a whole. <p/>About the Publisher <p/>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com <p/>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







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